Sculptor: Hannah Honeywill
About the sculpture and photograph:
This photograph features a sculpture called Scar, made of elm, from the seat of a discarded chair. Newly cut elm is very pink, suggestive of flesh, and Scar developed as a piece about scars as markers for gender and the exploration of the ways in which gender confirmation surgery often leaves marks on the body.
In the photograph, the crack in the floor, caused by wear and tear, aligns with the scar in the chair, suggesting a connection between the two brought about by the shared ‘experience’ or ‘feature’ of change.
